Three Paintings Selected for Arizona Biennial 2015 at Tucson Museum of Art

June 25th, 2015 | No Comments

I am absolutely thrilled and honored to announce that three of my paintings have been selected to exhibit in Arizona Biennial 2015, to be held at the Tucson Museum of Art from July 25 through October 11.

This will be my fifth time showing in an Arizona Biennial — and my seventh show overall at the Tucson Museum of Art — since 2003. I exhibited consecutively in the 2003, 2005, 2007, and 2009 biennials. After six years away, my upcoming return to Tucson is especially meaningful.

Nearly 1,500 works were submitted to Arizona Biennial 2015. Juror Irene Hofmann, director and chief curator of SITE Santa Fe, New Mexico, selected 50 works by 33 artists. A range of mediums will be represented, including painting, sculpture, works on paper, photography, video, and installation art.

The three pieces selected for this summer’s biennial, shown below, reflect my maximalist and minimalist approaches to painting.

arizona biennial 2015

A New Way of Thinking About Everything. 2014. Acrylic on canvas. 24 x 28 inches (61 x 71 cm).

arizona biennial 2015

The Lake a Lilac Cube. 2014. Acrylic on canvas. 40 inches square (102 x 102 cm).

arizona biennial 2015

Confluent. 2015. Acrylic on canvas. 40 inches square (102 x 102 cm).


First organized in 1948, the Arizona Biennial is a juried exhibition that provides an opportunity to see some of the most interesting new work being created in Arizona. It is the oldest running juried exhibition featuring exclusively Arizona artists. The Arizona Biennial is open to artists age 18 and older who currently reside in Arizona.

“This Arizona Biennial represents ambitious and thought-provoking ideas as well as works that captivate the senses,” observes Dr. Julie Sasse, chief curator and curator of modern and contemporary art at Tucson Museum of Art. “It shows that contemporary art in Arizona is fully competitive with the rest of the country in formal concerns while addressing the specific qualities of place and culture that make this state so unique.”

On a final note, I offer my most sincere congratulations to my fellow Arizona Biennial 2015 artists: David Emitt Adams, Elizabeth Burden, Carlton Bradford, Curt Brill, John H. Clarke, Jeffrey J. DaCosta, Jeff Dodson, Abigail Felber, Denis Gillingwater, Jennifer Holt, Alan Bur Johnson, Daniel Johnson, Carolina Maki Kitagawa, Carolyn Lavender, Ellen McMahon and Beth Weinstein, Brooke Molla, Katherine Monaghan, Anthony Pessler, Emmett Potter, Rembrandt Quiballo, Robert Renfrow, Prima Sakuntabhai, Patricia Sannit, Steven R. Schaeffer, Mike Stack, Lauren Strohacker and Kendra Sollars, Novie Trump, Zachary Valent, Kathleen Velo, and Angie Zielinski.


“Let in the Light”: Painting for America SCORES Benefit Auction

May 31st, 2015 | No Comments

grant wiggins - america scores inspired art benefit auction 2015
Let in The Light: A painting recently produced for the America SCORES Inspired Art Benefit Auction in Cleveland, which will raise funds for America SCORES’ creative after-school programming. The piece measures 16 by 20 inches and is framed and ready to hang.


This Saturday, June 6, I’ll be exhibiting at the America SCORES Inspired Art Benefit Auction in Cleveland. A painting I made especially for this fundraiser event will be on display among pieces by 50 artists who have made art that responds to the work of young Cleveland poets.

My contribution, “Let in the Light,” is inspired by the poem “Light” by Tre’Shaun A., a 10th grader at Cleveland Central Catholic High School.

Light

I walk in the shadows looking for the light
The darkness was too strong so I took flight
I have to keep pushing towards the light
Because one day I’ll be out this fight
I walk in the shadows looking for the light
I feel something loving and caring
I finally found my light

— Tre’Shaun A., Grade 10
     Cleveland Central Catholic High School

America SCORES Cleveland is a comprehensive youth development program that uses the tools of poetry, soccer, creative expression, and service-learning to empower urban youth to lead healthy lifestyles, become engaged students, and grow into community leaders.

Proceeds will directly benefit America SCORES Cleveland’s creative after-school programming, which includes creative writing, soccer, and service-learning for more than 600 Cleveland students.

If you’re interested in attending the event, which will be held at smARTspace at 78th Street Studios in Gordon Square Arts District, please visit inspiredartcleveland.com.


New hard-edge paintings: The ‘Confluent’ series

February 21st, 2015 | No Comments

I’m pleased to introduce this new pair of studies, part of a series I’ve assigned the working title Confluent.

Each is painted on a cradled panel measuring 10 inches square by 1.5 inches deep (25 x 25 x 4 cm).

hard-edge painting
hard-edge painting
hard-edge painting
hard-edge painting
New hard-edge paintings: Confluent #1 in white, and Confluent #2 in navy-black.


I’ve had hard-edge painting on my mind quite a bit lately, as I’ve begun to re-examine minimal painting. I’ve been thinking about how Frederick Hammersley had two different styles of painting: his hard-edge pieces and his organic “hunches.” As I have veered between minimalism and maximalism in my own work, I can appreciate how Hammersley explored these two very different, very personal approaches to painting throughout his life — one very rational and formal, another very subjective and intuitive. When one approach went stale, he returned to the other.

Right now, I’m pursuing a more rational and formal approach in my work. While I’m starting from familiar ground, it seems like I’m going somewhere new. I will certainly share my newest discoveries with you soon.

Grant Wiggins


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