Archive for July, 2009

New art works: July 31, 2009

Friday, July 31st, 2009

Building upon the series of reductive art works that I embarked upon recently, this week I completed the third and four new art works in this series.

New Art Works
New Art Works
New Art Works
New Art Works
New Art Works

The first and second new paintings in this series of new art works are light blue and deep red. To switch things up for the next pair of paintings, I chose a more achromatic approach to color.

Going forward in this series, next I shall produce an olive-green painting (with white and brilliant blue) and an orange painting (with burnt orange and purple, all very Phoenix-Suns-meets-Braniff-Airlines-seat-fabric). See the Braniff seat fabric here.

Like what you see here? I invite you to check out my Minimalist Art Gallery.

Thank you very much for visiting.

Best,
Grant Wiggins

New paintings: July 24, 2009

Friday, July 24th, 2009

This pair of new paintings, produced over the past week, are the first pieces in a larger series I’m looking to carry out over the next few weeks.

New Paintings July 24 2009New Paintings July 24 2009
New Paintings July 24 2009

As this series evolves, I’m finding exciting new opportunities for exploring color combinations and layers of color in my modern paintings. The potential is tremendous.

Thank you for stopping by,
Grant Wiggins

A new reductive art work in the works

Monday, July 13th, 2009

Reductive Art

Wanted to freshen up the blog a bit, so I’m offering you this peek of what I’ve been sketching lately. There’s lots more like this in the works, I can assure you.

I’m very much into following minusspace.com, which offers unparalleled coverage of developments in reductive art around the globe.

In reductive art, everything you bring into a composition must be weighed carefully. I realize that this art is not for everyone. There’s a small, but ardent audience for it. But I don’t mind: The potential for reductive art has once again captured my imagination.

More paintings like this in my site’s minimal art gallery.

Grant Wiggins

Balancing two very different styles of painting

Wednesday, July 1st, 2009
styles of painting
A simple scatter plot, which graphs independent variables (events that happen independently of each other.)

Creativity is like a scatter plot; it’s not a linear process.

As I look back upon the art I’ve produced over the past six years, I’ve noticed a trend. Actually, it’s a lack of a trend. A trendless trend.

Here’s what I mean: Since 2003, I have been painting and designing according to two very different styles of painting; each has two very different compositional approaches: 1) minimal, reductive paintings and 2) maximalist abstract paintings.

I once thought that I had to choose one of these styles of painting β€” for once and for all, and for good. I could be only a minimalist or a maximalist. But not both. Not having made up my mind, the way I saw it, was a sign of weakness.

Yet, after much deliberation, I never did make a choice. I just kept on making.

And so I continue: I get really into minimalism. But after a while, I hit a wall, and then get really into maximalist abstract painting, only to get distracted, and re-inspired, by minimalist painting all over again. Hence, my output has leapfrogged from one idea to the next, with seemingly little rhyme or reason, for years.

styles of paintingstyles of painting
Two very different styles of painting: Left: Space Loop I, a minimal painting from 2008. Right: Where Is Gibarian?, a maximalist abstract painting from 2008.

Let your mind bounce from one idea to the next

Good things happen when you follow your creative whims. Surveying my work over recent years, I realize that elements within my compositions are completely modular. For example, a trio of stripes from a minimal painting can easily serve as a focal point in a maximalist abstract painting.

Any color, stripe or shape can be applied to any painting I choose to make, regardless of the associated style.

Therefore, rather than see my creativity as a linear process, I have chosen to see what I make in terms of a scatter plot β€” a collection of independent variables that reside at different places on a graph β€” like the one above.

Over time, I have changed my mind frequently, going from one idea to the next, one painting to the next. Each painting is much like an independent variable, even though it is informed by my previous experiences.

Don’t make sense, just make

The creative “jumping around” may not make sense from a near-term perspective. However, I bet you could draw a trend line through a graph of everything I’ve made, delineating the average between all of these points, and everything would interconnect.

It’s easy to say that we should know exactly what we stand for at all times. It’s easy to adopt a singular art style and repeat whatever worked for you in the past. That’s safe. That makes sense.

But when you no longer think about making sense, you free up your mind to focus on making. And making, after all, is what art is all about.