Archive for June, 2010

The pop-up galleries of downtown Scottsdale

Saturday, June 26th, 2010

Phoenix New Times offers this coverage on the “pop-up” galleries (temporary galleries with month-to-month rent) that are springing up in downtown Scottsdale, made possible by the nosedive in the commercial real estate market.

Scottsdale’s Marshall Way was hit pretty hard by the downturn; late last year, vacancies turned the once-thriving gallery district into a ghost town.

The article highlights Soyal Gallery, operated by my friends Spencer Hibert and Emmett Potter III, as an example of how a struggling economy has created opportunities for emerging gallery owners and their rosters of artists (such as myself, who is mentioned on page three of the article).

The piece also ties the development of local pop-up galleries with a West Coast and international phenomenon, wherein hard-to-rent commercial spaces have been routinely transformed into venues for successful galleries.

“The history of the art world has always been about revitalizing places no one wants to go,” observes John Spiak, curator at Arizona State University Art Museum. “Galleries have consistently raised property values. … Move in somewhere that will bring activity, and the rest of the surrounding businesses will do better.”

Grant Wiggins

A new modern abstract canvas painting: ‘Flat Space, Imagined Place’

Saturday, June 19th, 2010
modern abstract canvas painting

Flat Space, Imagined Place is the title of the modern abstract canvas painting I have been working on throughout this month. Compositionally, this painting reflects the busier, more improvisational “maximal” side of my work. It measures 111.8 cm high by 81.3 cm wide (44 x 32 inches). The medium is acrylic on canvas.

In the design phase, this painting had more than 30 iterations; the composition evolved dramatically in the process throughout May. The initial idea, arrived upon on April 25, seems like a distant relative compared the finished work pictured here. Yet, that initial idea still seems like a worthy idea to explore.

If there were one thing different about this piece, it was my resolution — going into it — that I would determine the colors on screen before working them out on canvas.

Also, this painting represents a vacation, of sorts, from the minimal, hard-edge paintings I devoted myself to last fall and showcased in my Soyal Gallery show. Because I find maximalism very challenging and fun, I will continue to explore this method of making, pushing the boundaries of what a canvas can hold, for the foreseeable future.

Grant Wiggins