Posts Tagged ‘minimalism’

Dwell.com slideshow showcases Thomas Hayes Gallery opening

Sunday, April 18th, 2010
Thomas Hayes Gallery in Dwell Slideshow
Above: My 2006 painting Eodroon featured on Dwell.com. Photo courtesy of Elko Weaver.

Images of my paintings on display at Thomas Hayes Gallery are now featured on Dwell.com, in a fantastic slideshow. See the accompanying article here.

I am so happy right now, on a personal level and for the Thomas Hayes Gallery. The years of hard work are paying off.

Plus, my beloved Cleveland Indians have just won four games in a row, including a three-game sweep of the White Sox!

More exciting news soon …
Grant Wiggins

Hard edge art works now on display at Thomas Hayes Gallery

Friday, April 16th, 2010

I’m very happy to share with you this set of images on flickr, which offer a glimpse of my current showing of hard edge art at Thomas Hayes Gallery in Hollywood, California.

thomas hayes gallery
From left: Süfnex (2004) and Stryyka (2006), hung with a 1960s-era jacaranda coffee table, as well as stainless steel Inox chairs by Zanini de Zanine.

I’m very happy to be showing at Thomas Hayes Gallery. I’m very impressed with how my work is displayed; my paintings really pop against the deep-space charcoal walls. My minimal painting Orääänj is one of the first things you encounter as you enter the gallery from the street. Likewise, I am thrilled to be showing among works by John Barbour and June Harwood — legends of hard edge art.

I invite you to check out my set of 14 photos from this show on flickr now.

Grant Wiggins

Fall 2009 collection of paintings to debut September 22

Saturday, August 22nd, 2009

fall 2009 collection of paintings

Exactly one month from today, on the first day of autumn — September 22, at 5:18 p.m. EDST, to be exact — I will debut my Fall 2009 Collection of paintings. The collection will bring together approximately 15 paintings that I have been working on since mid-July.

I will publish the collection of paintings as a complete gallery on my site’s Paintings gallery.

I have initiated the following countdown clock to keep track of the time remaining before I launch my Fall 2009 Collection of paintings into Internet space.

What is my motivation behind producing a Fall 2009 Collection of modern paintings?

Essentially, I’m jealous of how fashion designers (fashion houses) customarily showcase their collections according to a set schedule. So much creativity and planning is funneled into a set of points situated throughout the calendar year. When a fashion collection is unveiled, it’s a big deal — a defining moment — and the world takes notice.

In the sphere of visual art, things can be very different. An artist creates new works one at a time, over time. Yet, without an exhibition to work toward — or a simple deadline, even — the process of making art work just tends to flow along.

Goals are very important to my artmaking process. When I’m working toward a goal or deadline, my process making art goes into high gear; I’m much more productive and focused. I find that I spend more time making and less time thinking about what I’m going to make.

Art psychology aside, I thought the first minute of a new season would be the perfect moment to launch my Fall 2009 Collection of paintings. If things go according to plan, I will repeat the process again in December with a Winter 2009-2010 Collection.

There’s one piece to the collection of paintings that I have yet made concrete: Whether I will show this collection in the physical world. I am currently entertaining an idea to show the collection at a boutique, shop or gallery in Greater Phoenix, Arizona at some time in late September or early October. I will certainly make those details known as plans unfold.

Anyway, it’s back to work for me. Thanks for stopping by to check things out. More soon, I can assure you!

Grant Wiggins

New art works: July 31, 2009

Friday, July 31st, 2009

Building upon the series of reductive art works that I embarked upon recently, this week I completed the third and four new art works in this series.

New Art Works
New Art Works
New Art Works
New Art Works
New Art Works

The first and second new paintings in this series of new art works are light blue and deep red. To switch things up for the next pair of paintings, I chose a more achromatic approach to color.

Going forward in this series, next I shall produce an olive-green painting (with white and brilliant blue) and an orange painting (with burnt orange and purple, all very Phoenix-Suns-meets-Braniff-Airlines-seat-fabric). See the Braniff seat fabric here.

Like what you see here? I invite you to check out my Minimalist Art Gallery.

Thank you very much for visiting.

Best,
Grant Wiggins

New paintings: July 24, 2009

Friday, July 24th, 2009

This pair of new paintings, produced over the past week, are the first pieces in a larger series I’m looking to carry out over the next few weeks.

New Paintings July 24 2009New Paintings July 24 2009
New Paintings July 24 2009

As this series evolves, I’m finding exciting new opportunities for exploring color combinations and layers of color in my modern paintings. The potential is tremendous.

Thank you for stopping by,
Grant Wiggins

A new reductive art work in the works

Monday, July 13th, 2009

Reductive Art

Wanted to freshen up the blog a bit, so I’m offering you this peek of what I’ve been sketching lately. There’s lots more like this in the works, I can assure you.

I’m very much into following minusspace.com, which offers unparalleled coverage of developments in reductive art around the globe.

In reductive art, everything you bring into a composition must be weighed carefully. I realize that this art is not for everyone. There’s a small, but ardent audience for it. But I don’t mind: The potential for reductive art has once again captured my imagination.

More paintings like this in my site’s minimal art gallery.

Grant Wiggins

Balancing two very different styles of painting

Wednesday, July 1st, 2009
styles of painting
A simple scatter plot, which graphs independent variables (events that happen independently of each other.)

Creativity is like a scatter plot; it’s not a linear process.

As I look back upon the art I’ve produced over the past six years, I’ve noticed a trend. Actually, it’s a lack of a trend. A trendless trend.

Here’s what I mean: Since 2003, I have been painting and designing according to two very different styles of painting; each has two very different compositional approaches: 1) minimal, reductive paintings and 2) maximalist abstract paintings.

I once thought that I had to choose one of these styles of painting — for once and for all, and for good. I could be only a minimalist or a maximalist. But not both. Not having made up my mind, the way I saw it, was a sign of weakness.

Yet, after much deliberation, I never did make a choice. I just kept on making.

And so I continue: I get really into minimalism. But after a while, I hit a wall, and then get really into maximalist abstract painting, only to get distracted, and re-inspired, by minimalist painting all over again. Hence, my output has leapfrogged from one idea to the next, with seemingly little rhyme or reason, for years.

styles of paintingstyles of painting
Two very different styles of painting: Left: Space Loop I, a minimal painting from 2008. Right: Where Is Gibarian?, a maximalist abstract painting from 2008.

Let your mind bounce from one idea to the next

Good things happen when you follow your creative whims. Surveying my work over recent years, I realize that elements within my compositions are completely modular. For example, a trio of stripes from a minimal painting can easily serve as a focal point in a maximalist abstract painting.

Any color, stripe or shape can be applied to any painting I choose to make, regardless of the associated style.

Therefore, rather than see my creativity as a linear process, I have chosen to see what I make in terms of a scatter plot — a collection of independent variables that reside at different places on a graph — like the one above.

Over time, I have changed my mind frequently, going from one idea to the next, one painting to the next. Each painting is much like an independent variable, even though it is informed by my previous experiences.

Don’t make sense, just make

The creative “jumping around” may not make sense from a near-term perspective. However, I bet you could draw a trend line through a graph of everything I’ve made, delineating the average between all of these points, and everything would interconnect.

It’s easy to say that we should know exactly what we stand for at all times. It’s easy to adopt a singular art style and repeat whatever worked for you in the past. That’s safe. That makes sense.

But when you no longer think about making sense, you free up your mind to focus on making. And making, after all, is what art is all about.

Two new paintings: Civvik and Circuit

Tuesday, January 13th, 2009

My objectives for last week have been completed, albeit a couple of days late. With the goal of submitting new pieces to an upcoming juried show, I just completed two “full-scale” renderings of smaller studies.

Today I finished Civvik, and on Friday I put the finishing touches on Circuit. Both are 30 inches square and 4 inches deep. The original studies were 10 inches square and 1.5 inches deep.

The new version of Civvik is actually a reworking of the original. I fixed the curves in the stripes, and the top-most white stripe doesn’t spill over the top edge of the canvas. The white stripes are centered upon the horizontal axis.

Details aside, quite a bit of motoring took place to get these done within 10 days. But now I’m ready to start a series of paintings on paper. I am convinced that this is way to go for the near term. At 60 cents per sheet, I can’t go wrong. Paper is the fastest, easiest way to get ideas out and test them. Assembling stretcher bars and stretching canvas takes too long to get ramped up—something I’m not in the mood for.

So we’ll see how the next few days will shake out. Hopefully I’ll have a lot to upload soon.

Otherwise, I just returned my interlibrary loan copy of Paul Klee’s The Thinking Eye. A compilation of Klee’s notebooks, this brilliant book is one page of sketches after another. Klee explores his philosophy of line and form, and how line becomes form, in an almost mystical way. Definitely a book worth checking out. Amazon has it used for $300. But I think I’ll have to sign it out again instead.

Minimalism meets pop art

Monday, December 8th, 2008

Last week’s production included two paintings (10 x 16 inch, or 25.4 x 40.6 cm) studies inspired by the SEPTA logo.

pop art minimalism

I’ve posted both to flickr. Above is Spectral 2, which seems to me a bit packaging-inspired, even though that’s not the case. Midway into making it, I decided not to flood the perimeter of the canvas with red; instead, the red merely outlines the yellow and white stripes. So perhaps I will begin to pursue a middle-ground between minimal design and graphic design, voyaging back into packaging-inspired works. I feel as if I have been searching for a combination … and I know the floodgates will open when I discover it.

In other news:

• I think I’ve devised the perfect bright red, which has the most intense luminosity of bright red ink. It’s one part naphthol red light, one part fluorescent red. The result is excellent, although it requires six coats. This color lacks the overt fluorescence of fluorescent red, and is more opaque. Completely eye-popping!

• I enjoyed reading this article about Sol LeWitt at Mass MoCA, in yesterday’s New York Times

• I found the Julian Schnabel interview on 60 Minutes compelling last night. Schnabel utterly lost it when Morley Safer breathed mention of critic Robert Hughes. His reaction was visceral. See for yourself here. My take-away was this: If you care that much about what others write and say about your art, you’re probably making art for the wrong reasons. It’s hard to see someone get wound up by a critic. Focus on making the art instead. Make art for yourself. That should be reward in itself. To hell with the rest.

Wishing you happiness and the causes of happiness,
Grant

Images of new paintings now on Flickr

Sunday, November 30th, 2008

Images of a new set of small, “study” paintings I have made over the past two weeks are now online on my flickr page. Here are two examples of what you’ll see there:

flickr paintings
There 1, 2008.
Acrylic on canvas. 10 inches square.

flickr paintings
Angular, 2008.
Acrylic on canvas. 10 inches square.

Best,
Grant Wiggins