Posts Tagged ‘minimalism’

Design Inspiration: The Fire Trucks of Flughafen Stuttgart

Wednesday, June 22nd, 2011

I admit it: I am inspired, in a very nerdy way, by the fire trucks that zoom around Stuttgart, Germany’s international airport, Flughafen Stuttgart.

Painted from bumper to bumper in eye-piercing fluorescent red, the mammoth machines of Flughafen Stuttgart Flughafenfeuerwehr easily catch the eyes of passengers who taxi down the runway of Germany’s Swabian metropolis. These trucks are so bright, I bet they’re visible from outer space!

flughafen stuttgart flughafenfeuerwehr
flughafen stuttgart flughafenfeuerwehr
Two views of engine 7. Source for top image: http://www.feuerwehr-riezlern.at/. Source for bottom image: flickr.com/photos/ackermann_juergen/.

Not only do I love the fluoro-and-white paint scheme, but I also love the minimal stripes that line the sides of these trucks. What’s more, the stripes collide on each truck’s back panel, forming an angular motif accented by the awesome Flughafen Stuttgart logo and a massive Helvetica number.

I’m envious of the talented person who developed the design for these trucks, which have me thinking I wish I would have thought of that!

Side note: The fluorescent limegreen fire trucks of the Berufsfeuerwehr Flughafen Zürich are worth checking out, too. They make me want to paint exclusively in fluorescent paint from now on.

Grant Wiggins

Paintings by Grant Wiggins on view in Modern Phoenix Week home tour: “The Secrets of Sunnyslope”

Thursday, April 7th, 2011

Win a framed digital print, signed by the artist, as a door prize of the free Modern Phoenix Week Expo, April 16

I am proud to say that I’m a part of this year’s Modern Phoenix Week in two fabulous ways.

modern phoenix home tour

First, I will be exhibiting several of my paintings in a Ralph Haver-designed residence on Central Ave. in Phoenix, as part of the upcoming Secrets of Sunnyslope home tour. The April 17 tour — which is sold out — offers a chance to see some of the Sunnyslope neighborhood’s finest midcentury and modern dwellings.

Second, I have contributed a signed, framed digital print as a door prize of the Modern Phoenix Expo, which will take place at Scottsdale Museum of Contemporary Art (SMoCA) on Saturday, April 16. (Please note: To be eligible to win a door prize, you must be present for that day’s 3:45 pm drawing.)

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Featured in new book: Acrylic Innovation

Saturday, September 25th, 2010
Acrylic Innovation Book
See a full preview of Acrylic Innovation on Amazon.com

I am proud to convey to you that two of my paintings are showcased in Acrylic Innovation: Styles and Techniques Featuring 64 Visionary Artists, a survey of current approaches to acrylic painting by Nancy Reyner.

This fantastic book is very much like a sourcebook — it is geared toward helping artists find new ideas, approaches, and techniques for paintings. Acrylic Innovation is also an eye-opening account of just how vast and varied painting has become, in subject matter and technique. There’s even room for nonobjective, nonrepresentational artists.

With a sweeping perspective on acrylic painting, Acrylic Innovation examines paintings according to twenty-nine “styles,” as Ms. Reyner writes, “from photorealism to minimal color field and everything in between.”

Throughout Acrylic Innovation, as Ms. Reyner offers examples of paintings that represent a given approach, she complements these with a discussion of featured techniques on the facing page.

My paintings are featured in two different places in this book. First, on page 82, under the banner Variations on Confronting the Viewer, you’ll find Where Is Gibarian?, a maximal painting I produced in 2008. The supporting caption, titled Variation 2: Shockingly Bright Color reads, “Fluorescent orange paint vibrates, layers collide and colors bounce off each other. Grant Wiggins likes his work to clash and uses advertising and corporate logos for the basis of his inspiration.” I couldn’t have said it better myself.

Acrylic Innovation Book
Acrylic Innovation Book

Elsewhere, in the Minimal section, on page 134, under the banner Variations on a Singular Note, you will find Spaceloop Two, another painting from 2008.

“Racing stripes are graphically illuminated with fluorescent paint and emphasized on a solid black background,” Ms. Reyner writes. I invite you to learn more about the inspiration for this painting in a March 2008 blog post.

For me, it is a massive honor to be showing my work with so many remarkably talented contemporary artists. I’m in very good company. Likewise, it has been a pleasure to work with Ms. Reyner on lending images of my work to her book.

This book was just released on Amazon.com, and seems to be selling quite well. I wish Ms. Reyner the best of success with her book.

Thanks for reading,
Grant Wiggins

New profile on geometric art website geoform.net

Saturday, August 7th, 2010

I am very pleased to say that I now have an artist profile on geoform.net, “an online scholarly art project dedicated to exploring and documenting the use of geometric form and structure in contemporary abstract art.”

geometric art website geoform.net
Geoform.net showcases leading artists in the contemporary geometric art.

I thank geoform.net’s editor, Julie Karabenick, for inviting me to have a presence on her site. It is truly an honor.

Since its launch in May 2005, geoform.net has grown to encompass more than 1000 artists from around the world. The carefully curated site brings together, according to Ms. Karabenick, “artists who have demonstrated a serious and long-standing commitment to abstract art that features geometric forms and/or structures.”

For the moment, my profile is featured on the site’s homepage, side-by-side with legendary hard-edge painter June Harwood. (Ms. Harwood was an integral member of the California Hard-Edge painting movement in the early 1960s.)

This is second time this year in which my work has shown next to Ms. Harwood’s — something I find fascinating. In April, my painting Spaceloop Two showed alongside one of her “loop” paintings at Thomas Hayes Gallery, in Hollywood, as a part of the gallery’s grand opening.

Grant Wiggins

Dwell.com slideshow showcases Thomas Hayes Gallery opening

Sunday, April 18th, 2010
Thomas Hayes Gallery in Dwell Slideshow
Above: My 2006 painting Eodroon featured on Dwell.com. Photo courtesy of Elko Weaver.

Images of my paintings on display at Thomas Hayes Gallery are now featured on Dwell.com, in a fantastic slideshow. See the accompanying article here.

I am so happy right now, on a personal level and for the Thomas Hayes Gallery. The years of hard work are paying off.

Plus, my beloved Cleveland Indians have just won four games in a row, including a three-game sweep of the White Sox!

More exciting news soon …
Grant Wiggins

Hard edge art works now on display at Thomas Hayes Gallery

Friday, April 16th, 2010

I’m very happy to share with you this set of images on flickr, which offer a glimpse of my current showing of hard edge art at Thomas Hayes Gallery in Hollywood, California.

thomas hayes gallery
From left: Süfnex (2004) and Stryyka (2006), hung with a 1960s-era jacaranda coffee table, as well as stainless steel Inox chairs by Zanini de Zanine.

I’m very happy to be showing at Thomas Hayes Gallery. I’m very impressed with how my work is displayed; my paintings really pop against the deep-space charcoal walls. My minimal painting Orääänj is one of the first things you encounter as you enter the gallery from the street. Likewise, I am thrilled to be showing among works by John Barbour and June Harwood — legends of hard edge art.

I invite you to check out my set of 14 photos from this show on flickr now.

Grant Wiggins

Fall 2009 collection of paintings to debut September 22

Saturday, August 22nd, 2009

fall 2009 collection of paintings

Exactly one month from today, on the first day of autumn — September 22, at 5:18 p.m. EDST, to be exact — I will debut my Fall 2009 Collection of paintings. The collection will bring together approximately 15 paintings that I have been working on since mid-July.

I will publish the collection of paintings as a complete gallery on my site’s Paintings gallery.

I have initiated the following countdown clock to keep track of the time remaining before I launch my Fall 2009 Collection of paintings into Internet space.

What is my motivation behind producing a Fall 2009 Collection of modern paintings?

Essentially, I’m jealous of how fashion designers (fashion houses) customarily showcase their collections according to a set schedule. So much creativity and planning is funneled into a set of points situated throughout the calendar year. When a fashion collection is unveiled, it’s a big deal — a defining moment — and the world takes notice.

In the sphere of visual art, things can be very different. An artist creates new works one at a time, over time. Yet, without an exhibition to work toward — or a simple deadline, even — the process of making art work just tends to flow along.

Goals are very important to my artmaking process. When I’m working toward a goal or deadline, my process making art goes into high gear; I’m much more productive and focused. I find that I spend more time making and less time thinking about what I’m going to make.

Art psychology aside, I thought the first minute of a new season would be the perfect moment to launch my Fall 2009 Collection of paintings. If things go according to plan, I will repeat the process again in December with a Winter 2009-2010 Collection.

There’s one piece to the collection of paintings that I have yet made concrete: Whether I will show this collection in the physical world. I am currently entertaining an idea to show the collection at a boutique, shop or gallery in Greater Phoenix, Arizona at some time in late September or early October. I will certainly make those details known as plans unfold.

Anyway, it’s back to work for me. Thanks for stopping by to check things out. More soon, I can assure you!

Grant Wiggins

New art works: July 31, 2009

Friday, July 31st, 2009

Building upon the series of reductive art works that I embarked upon recently, this week I completed the third and four new art works in this series.

New Art Works
New Art Works
New Art Works
New Art Works
New Art Works

The first and second new paintings in this series of new art works are light blue and deep red. To switch things up for the next pair of paintings, I chose a more achromatic approach to color.

Going forward in this series, next I shall produce an olive-green painting (with white and brilliant blue) and an orange painting (with burnt orange and purple, all very Phoenix-Suns-meets-Braniff-Airlines-seat-fabric). See the Braniff seat fabric here.

Like what you see here? I invite you to check out my Minimalist Art Gallery.

Thank you very much for visiting.

Best,
Grant Wiggins

New paintings: July 24, 2009

Friday, July 24th, 2009

This pair of new paintings, produced over the past week, are the first pieces in a larger series I’m looking to carry out over the next few weeks.

New Paintings July 24 2009New Paintings July 24 2009
New Paintings July 24 2009

As this series evolves, I’m finding exciting new opportunities for exploring color combinations and layers of color in my modern paintings. The potential is tremendous.

Thank you for stopping by,
Grant Wiggins

A new reductive art work in the works

Monday, July 13th, 2009

Reductive Art

Wanted to freshen up the blog a bit, so I’m offering you this peek of what I’ve been sketching lately. There’s lots more like this in the works, I can assure you.

I’m very much into following minusspace.com, which offers unparalleled coverage of developments in reductive art around the globe.

In reductive art, everything you bring into a composition must be weighed carefully. I realize that this art is not for everyone. There’s a small, but ardent audience for it. But I don’t mind: The potential for reductive art has once again captured my imagination.

More paintings like this in my site’s minimal art gallery.

Grant Wiggins