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	<title>Modern Art Blog of Grant Wiggins &#187; op art</title>
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	<description>Modern art paintings and design by Grant Wiggins</description>
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		<title>Julian Stanczak interview on Geoform.net</title>
		<link>http://www.wiggz.com/blog/art/julian-stanczak-interview/</link>
		<comments>http://www.wiggz.com/blog/art/julian-stanczak-interview/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 07:47:24 +0000</pubDate>
		<dc:creator>Grant Wiggins</dc:creator>
				<category><![CDATA[inspiration]]></category>
		<category><![CDATA[abstract painting]]></category>
		<category><![CDATA[color theory]]></category>
		<category><![CDATA[geometric art]]></category>
		<category><![CDATA[julian stanczak]]></category>
		<category><![CDATA[op art]]></category>
		<category><![CDATA[reductive art]]></category>
		<category><![CDATA[verner panton]]></category>

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		<description><![CDATA[I remember the first time I ever saw a painting by Julian Stanczak in person. It was at the Toledo Museum of Art, several years ago. Standing before And Then There Were Three, in all of its 4-foot-by-12-foot vastness, I literally felt myself being engulfed by the colors and forms before me. Green and red [...]]]></description>
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		<title>Bridget Riley&#8217;s &#8220;Fragment 2&#8243; at Phoenix Art Museum</title>
		<link>http://www.wiggz.com/blog/art/bridget-riley-fragment-2-10-1965/</link>
		<comments>http://www.wiggz.com/blog/art/bridget-riley-fragment-2-10-1965/#comments</comments>
		<pubDate>Thu, 18 Nov 2010 06:49:47 +0000</pubDate>
		<dc:creator>Grant Wiggins</dc:creator>
				<category><![CDATA[inspiration]]></category>
		<category><![CDATA[bridget riley]]></category>
		<category><![CDATA[op art]]></category>

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		<description><![CDATA[I&#8217;ve been on a bit of a Bridget Riley kick lately. This happens every now and then. Something will start me thinking about Riley&#8217;s groundbreaking early op art work &#8212; how it completely dismantled the status quo in the early 60s &#8212; and how her work has steadily evolved over time. And so, I&#8217;ll check [...]]]></description>
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		<title>Vintage soccer jerseys</title>
		<link>http://www.wiggz.com/blog/art/vintage-soccer-jerseys/</link>
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		<pubDate>Sat, 26 Dec 2009 21:46:43 +0000</pubDate>
		<dc:creator>Grant Wiggins</dc:creator>
				<category><![CDATA[inspiration]]></category>
		<category><![CDATA[color combinations]]></category>
		<category><![CDATA[op art]]></category>
		<category><![CDATA[soccer]]></category>
		<category><![CDATA[sports]]></category>

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		<description><![CDATA[Images via classicfootballshirts.co.uk From an art and design perspective, I find soccer jerseys are a tremendous source of inspiration. For new and recent jerseys, subside.co.uk is a great place to scan the latest looks of the world&#8217;s clubs. And for vintage shirts, I fancy classicfootballshirts.co.uk; you&#8217;ll find hours of eye-popping color combinations and patterns there. [...]]]></description>
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		<title>Line vs. color: Reconciling early Bridget Riley and Verner Panton</title>
		<link>http://www.wiggz.com/blog/art/bridget-riley-verner-panton/</link>
		<comments>http://www.wiggz.com/blog/art/bridget-riley-verner-panton/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 19:09:08 +0000</pubDate>
		<dc:creator>Grant Wiggins</dc:creator>
				<category><![CDATA[ideas]]></category>
		<category><![CDATA[bridget riley]]></category>
		<category><![CDATA[color theory]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[op art]]></category>
		<category><![CDATA[verner panton]]></category>

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		<description><![CDATA[To be honest, when considering the massive polarity between line and color found throughout art history—between the Poussinistes and Rubenistes, between Ingres and Courbet—I’ve never taken sides. Perhaps it’s because I’ve never taken a life drawing class (and I have no wish to do so), and my early interest in packaging design. I always thought [...]]]></description>
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