Posts Tagged ‘shows’

Solo Scottsdale art show to open April 1

Saturday, February 13th, 2010

I have some super-exciting news to share with you: This April I shall be having my first solo art show in more than three years — and it shall be a Scottsdale art show, in downtown Scottsdale’s Marshall Way art gallery district, no less. For me, this is a dream come true; I have always wanted to find a way into the Scottsdale market, but the parameters never seemed right.

The venue for this Scottsdale art show will be Soyal, at 4200 N. Marshall Way. Opening night is Thursday, April 1. The show will continue through the end of month, although we’re still deciding upon an end date. What’s more, this will be Soyal’s grand-opening show.

Plans have materialized very quickly. My longtime friend Spencer Hibert (brother of Oliver Hibert, with whom I’ve shown many times) called me Wednesday afternoon to invite me to have the show. Because this will be the gallery’s first exhibition, I was tremendously honored to be the first artist in the gallery’s lineup.

Up until that point, Spencer and I had been collaborating off and on for months on a mural for an art gallery / videogame arcade / vegan donut shop that he wanted to start. See sketches for the mural. As fate would have it, a bigger and brighter opportunity presented itself in downtown Scottsdale. At Soyal, Spencer and business partner Emmett Potter will be exhibiting emerging artists from around the world, bringing work to Scottsdale that metropolitan Phoenix has not yet witnessed in person.

What does Soyal mean? As Spencer explains, Soyal is the Hopi term for a yearly solstice celebration in which a party is thrown to distract the plumed snake from swallowing the sun. “It symbolizes a new beginning of growth. And that is exactly what I want to bring to Scottsdale … to bring something new to the scene,” he writes.

As for me, I’m still trying out names for the Scottsdale art show, and deciding upon how I want to lay it out. “Circles with Corners,” what I called my Fall 2009 collection, is up for consideration. So is “Face the Future” and “Exact and Intact.” Plus, I have quite a bit of wall space to work with, so I’d like to take advantage of that, and make an immersive experience for the viewer. I want to go beyond rectangles and squares on a wall. Then again, I have just under seven weeks to pull this off, so I have to be realistic about my goals.

As things develop, I’ll be posting updates to this space. Be sure to sign up for blog updates if you’re interested in receiving them.

Until next time!

Grant Wiggins

Next show: Miniature art show Think Small 5

Wednesday, October 28th, 2009

ThinkSmall5 exhibit runs from November 6, through December 20, 2009 at Artspace Gallery in Richmond, Virginia

miniature art show
Telomir 9: Exhibiting in miniature art show Think Small 5.

For the third time, I will be participating in miniature art show ThinkSmall, held every other year in Richmond. This year will be the fifth ThinkSmall miniature art show; the first was held in 2001.

This time around, I will be exhibiting Telomir 9, which measures 3 inches square, and is acrylic on canvas, mounted on panel. No work of art in the show may exceed 3 inches in any dimension.

See a list of contributing artists at http://www.artspacegallery.org/ts5/. I’m in there somewhere.

For further reading: The painting I exhibited at Think Small 4, in 2007

Grant Wiggins

Chaos Theory 10: A solid Phoenix First Friday art show

Friday, October 9th, 2009

People often ask me whether I show my art at Phoenix First Friday. Until recently, my answer was “Years ago, I was really into it, but I haven’t lately. Last time was 2006.” Thanks to Randy Slack, I can offer a very different answer now.

I am very happy to say I am showing in Chaos Theory 10, which opened at Legend City Studios on Friday, October 2. There, I am showing SuperAcid Autobacs-Ambilify!.

Randy Slack organized the show, which is truly one of the best Phoenix First Friday art shows.

phoenix first friday art
Here, SuperAcid Autobacs-Ambilify! hangs between works by Greg Esser (the three pieces at left) and Adriana Y. Claudio (right). Image by Rafael Navarro.

Chaos Theory 10 brings together the work of more than 50 Phoenix artists, many of whom I’ve exhibited alongside at either the Arizona Biennial or the Tempe Center for the Arts Biennial. The show lives up to its name because there is no theme. As Randy Slack says in this interview, most of the art in the show doesn’t arrive until three days before the show opens. Until then, he has no idea what people are going to deliver.

So far, I’ve heard a lot of good things about Chaos Theory 10, so you might want to check it out. It will be on display during business hours, more or less, until the end of October. I suggest contacting Legend City Studios about exact hours, though.

Until next time —
Grant Wiggins

Arizona Biennial closes; Chaos Theory 10 opens Oct 2

Wednesday, September 30th, 2009

As one long-running Arizona art show ends, another one is set to begin.

Over the weekend, I finally got to check out Tucson Museum of Art’s Arizona Biennial 09, which closed Sunday, September 27. And as I took down Open System from the wall, I felt truly honored to be a part of such a highly esteemed event, which brings together some of Arizona’s best art works every two years. Indeed, Arizona Biennial is consistently one of the best Arizona art shows. I’m already debating whether I should submit work to the 2011 show!

arizona art shows
Open System — now in a private collection — right before I “de-installed” it. (I love that word.)

Thankfully, I have Chaos Theory 10 to look forward to. Organized by artist Randy Slack and his colleagues for a tenth year in a row, Chaos Theory brings together many of Phoenix’s most well-known artists. For me, though, this will be my first time showing in Chaos Theory, which also is one of the best Arizona art shows. And I’m thankful to Randy Slack for inviting me. Read Arizona Republic’s coverage of the event here.

arizona art shows

There’s more to Arizona art shows than the Cowboy Artists of America show. Trust me.

Thanks for stopping by. Until next time —
Grant Wiggins

Showing in Arizona Biennial 2009, my fourth consecutive Arizona biennial

Tuesday, May 5th, 2009

I am pleased and proud to announce that I will be showing in Arizona Biennial 2009 at Tucson Museum of Art this summer (July 11 – September 26).

This will be the fourth time in a row in which I will be exhibiting in an Arizona Biennial. I also participated in the 2003, 2005 and 2007 biennials.

The painting I will be exhibiting in Arizona Biennial 2009 is Open System, shown below. It measures 60 inches square (152.4 x 152.4 cm) and was produced between February 8 and 20, 2009.

Arizona Biennial 2009

The Tucson Museum of Art describes the Arizona Biennial as follows:

This exhibition is structured to prompt dialogue about Arizona’s artistic strengths, trends, and the potential of Arizona art and artists. Not only does this exhibition highlight some of the most innovative art created in this state, but it showcases the subtle shifts in imagery, stylistic impulses, and conceptual foundations to reveal how Arizona’s artistic community participates in the broad dialogue of contemporary art.

The curator of Arizona Biennial 2009 is Tim Rodgers, chief curator at the New Mexico Museum of Art.

New piece for upcoming ‘Art in a Box’ show

Wednesday, November 19th, 2008

My newest creation is in a medium that’s entirely new to me: vinyl on plastic. I made it specifically for a show going on next month at art6 Gallery in Richmond, Va., called Art in a Box. The parameters of the show are pretty simple: works “may be wall, pedestal, or shelf pieces, and the theme is open to interpretation,” write the show’s organizers. “Size limit is 12 x 12 x 12 inches.”

I took a fairly literal interpretation of the box theme. Purchased an inexpensive plastic cube, spray painted the interior with white plastic spray paint, then applied vinyl decals (a geometric star pattern I designed a while ago) to the clear front. The name I chose is “Qubiqzirq,” as in cubic zirconia.



Ultimately, this was an experiment … perhaps nothing groundbreaking visually. When I finished, the piece seemed like something Jim Isermann woudl do. Regardless, Qubiqzirq is more like a proof of concept to see how to make something and where I might be able to take it in the future. I’m very interested in making a series of “plastic paintings”—vinyl on fluorescent plexiglass. If anything, just to do something more involved than acrylic on canvas.

That’s it for now. More soon, hopefully.

Wishing you happiness and the causes of happiness,
—Grant Wiggins

Upcoming show: ‘Painting’ at Foundry Art Centre

Monday, September 15th, 2008

Just found out that a couple of my paintings have been selected to show at the Foundry Art Centre in St. Charles, Mo. next month, in a juried exhibition called Painting.

Painting will be on display from Friday, Oct. 10 through Nov. 21. The show is billed as “a juried exhibition celebrating the art of painting,” where “traditional or experimental styles” are welcome. When I saw the word “experimental” in the call for entries, I knew I had to throw something Foundry’s way. Everything I make is an experiment!

The two paintings I’ll be showing are: The Acid Rain Falls Mainly on the Acid Plain (2007, acrylic on canvas, 20 x 16 in.) and Where Is Gibarian? (2008, acrylic on canvas, 21 x 16 in.). Here they are, freshly framed, in my studio this evening.

The Acid Rain Falls Mainly on the Acid Plain and Where Is Gibarian?

Want to know the story behind Where Is Gibarian? As I was painting this piece, I was listening to an audiobook of Stanislaw Lem’s Solaris, a truly mindblowing work of science fiction. (And the Tarkovsky movie is fantastic, too!) When narrator Kris Kelvin enters the space ship Solaris, he’s hoping to meet with a crewmember on board named Gibarian. When Snow, another crewmember, won’t give a straight answer about Gibarian’s whereabouts, Kelvin repeats, “Where’s Gibarian?” Turns out that Gibarian is dead. And the planet they’re orbiting can control the ship’s measurement tools, produce wicked storms and create hallucinated humans. But are they real? You get the idea.

On that note, I wish you happiness and the causes of happiness,

—Grant Wiggins

Detailed images of new paper art collage

Thursday, June 26th, 2008

In my previous post, I explained the story behind Ekeliges Zeug!, a new paper art collage I finished last week. I’d like to follow that up with some detail shots, to give you an idea of the detail that went into the piece.

Here’s the paper art collage in its entirety. Click to enlarge if you like:

paper art collage

Here are detailed images:

paper art collage
paper art collage
paper art collage
paper art collage

There’s a lot of fluorescent paper going on — but, unfortunately, fluorescent anything doesn’t really come through on screen. You’ll just have to take my word for it. Better yet, if it gets into the show for which I created it, you’ll be able to see for yourself, in person!

I had some important accidental realizations as I was making Ekeliges Zeug!:

As I was cutting the colors up, the scraps fell to the floor, just piling up. Some very weird and unexpected color combinations resulted. These gave me ideas for color combos for future paintings. Like mustard brown, light fluoro orange, and crimson. Or beige, fluoro red, violet, and navy. It goes on and on.

Halfway into the project, I noticed that I kept gravitating toward the same colors. Naturally, I wanted to shake things up. So I reached out to my pile of available colored papers and flipped it upside down. Suddenly I was working with light lavender, burgundy, robin’s egg blue, seafoam, slate gray, etc.

I figured out how to turn off my brain in mid-project, and not overthink things. That was probably the most valuable lesson I learned. I just let one pattern or design element flow to the next.

In other news, I’m in the process of redesigning my site. I completely realize that the painting galleries are unfinished — there’s no detail information (like size and medium) on any of the images! I just never got around to adding it in. Regardless, I’m going to scrap the slide show format. It doesn’t work. Hopefully the new site will be up by the end of July.

Well, that’s it for now. Thanks for stopping by and checking things out.

Wishing you happiness and the causes of happiness,
Grant Wiggins

Synthetic Landscape showing in Global Warming, starting Saturday

Tuesday, August 28th, 2007
Synthetic Landscape by Grant Wiggins
Set for the trip: Synthetic Landscape in my studio on Sunday afternoon.

On Monday, Olivia and I drove to and from the Orange County Center for Contemporary Art, delivering Synthetic Landscape for the upcoming Global Warming: Artists Speak show.

A 742-mile round trip. Left at 8am (was planning on borrowing my in-laws’ van, but the painting was three inches too long, so we had to hustle to Enterprise to rent a cargo van, which worked brilliantly, but we departed two hours later than planned) and returned to Tempe at 9pm. It was a haul.

(Yes, I am fully aware of the irony of driving a van — which gets 15 mpg on highways and consumed approximately 50 gallons of gas during the round trip — to a show about global warming. There and back, the van emitted about 1,000 lbs. of CO2 emissions. I hope it was worth it.)

But I must say that the people at OCCCA are supernice. Had a pleasant chat with Laura Hines-Jurgens, the curator of Global Warming, and Barbara Thompson, director of exhibitions. Very enthusiastic and cool people. I’m really glad to be a part of the show.

Things have been a bit overly hectic lately, with freelance writing work (a good thing) and fixing up Synthetic Landscape (not such a good thing). I devoted Saturday to repainting parts of Synthetic Landscape that I was never happy with. The uneven sheen in some of the paints I used (despite matte medium), especially in the “Chevron mountains” part, had been irritating me for about three years. So I repainted the dark blue stripe, the green grass, the orange in the Gulf logo, and the light blue sky. In all the colors are much more intense, and I’m really happy about that.

OCCCA is spacious and historic gallery (was once an auto showroom, going back to the 1930s). I found downtown Santa Ana quite charming, as well. I recommend the completely restorative peach and banana smoothie at The Gypsy Den.

You will find Synthetic Landscape featured on the homepage of both OCCCA and the Santa Ana Arts District’s site (santaanaartsdistrict.com).

Global Warming: Artists Speak will open at the Orange County Center for Contemporary Art this Saturday (September 1) at 6:30pm. More details at occca.org. Sadly, though, I won’t be attending the opening. The show runs through Saturday, September 29.

Until next time, I wish you happiness and the causes of happiness,

Grant Wiggins

Next show: “Global Warming” at OCCCA

Tuesday, August 14th, 2007
Global Warming show at OCCCA

Friends and fellow onlookers, I am proud to report that Synthetic Landscape (at right) is one of 39 pieces chosen to exhibit in Global Warming: Artists Speak at the Orange County Center for Contemporary Art (OCCCA), located in Santa Ana, California.

To be held from September 1 through 30, the exhibition will showcase the work of artists “inspired by their concerned interest in climate change.” As a matter of fact, Synthetic Landscape is featured on the homepage of OCCCA’s website, occca.org, but you must do some scrolling to see it. I’ve been told that the opening reception on September 1 will be very well attended.

In other news: This is the last week for Arizona Biennial ‘07 at the Tucson Museum of Art. The show officially ends on Sunday, August 19 at 4pm.

Thanks for reading!

Grant Wiggins